Please note: We’re trying to keep this list to films that primarily revolve around werewolves, rather than simply featuring them as part of an ensemble. You can also check out some of our other big horror lists, such as the 100 best vampire movies of all time, the 50 best zombie movies of all time, and the overall 100 best horror films of all time. Below we present the 25 best werewolf movies of all time, which constitute an 80-plus year journey through everything hairy and lupine. But despite all that, we still love a good werewolf yarn, and there have been some cinematic classics in the genre along the way. They continue to be made, but they’re utterly dwarfed by zombie movies, vampire movies, etc. Which is all to say that in the end, there are a lot fewer werewolf movies out there than there are for the other classic monsters. It’s the Achilles’ heel of pretty much any indie werewolf movie-a refrain of “the suit looks cheap!” Horror fans are fickle, and tough to please. Werewolf movies are inherently more costume-dependent, and they also tend to be scrutinized more harshly for their effects as a result.
Then of course there’s the issue of costuming-it’s a lot more expensive to build full-body werewolf suits than it is to slap a few wounds on an extra, call him a zombie, and call it a day. For whatever reason, the werewolves themselves are rarely seen as vital enough to continue carrying a franchise solo. Even a foundation of the genre, such as George Waggner’s classic 1941 The Wolf Man starring Lon Chaney Jr., never received a direct sequel of its own-rather, the Wolf Man was lumped in alongside other monsters in the future, in films such as Frankenstein Meets the Wolf Man and Abbott and Costello Meet Frankenstein. They’re not nearly as sexualized (and capitalized upon) as vampires.
They don’t represent the pop culture zeitgeist so appropriately as zombies. They’re not nearly so ubiquitous as ghosts. Of the classic cinematic monsters, which were essentially canonized in the public consciousness by the Universal monster films of the ’30s and ’40s, even the best werewolf movies are never quite given the luster or romanticization of the others. “It’s our hope that this Peter & the Wolf becomes a balm for any child dealing with loss, alongside exposing and captivating them into the wonderful and musical world of Prokofiev.There’s a saying (or at least a sentiment) among horror geeks: Werewolves always get short shrift. “The messaging of vigilance, bravery, and resilience that were core to the original symphony are still echoed throughout our interpretation, but we spin a traditional fairy tale into a unique adaptation that also incorporates the topic of loss, redemption, and recovery,” Friday and Bono said. Along the way he encounters creatures who help him on his quest while contending with hunters aiming to win a prize for capturing the wolf.
Upon hearing stories of a wolf on the loose, Peter decides to explore the vast meadow and forest nearby to try and find the wolf himself. The artwork seen throughout the film is based on original illustrations by Friday’s longtime friend and collaborator, Bono, from his book of the same name.įeaturing a juxtaposition of traditional hand-drawn 2D animation combined with a physical set-built world, the film follows a grieving 12-year-old Peter who is now in the care of his grandfather after enduring the loss of a parent. Peter & the Wolf is led by musician and composer Friday who is narrating the reimagined classic tale with The Friday Seezer Ensemble performing the Prokofiev score, newly arranged by Maurice Seezer and Friday.
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RELATED: Deadline’s Full Coverage Of Max Launch Event The special was announced during the Max presentation Wednesday where executive stressed a focus on families and kids for the combined HBO Max-Discovery+ platform. The greenlight follows a recent pullback in kids/family animated original content by HBO Max.
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